Toni Frissell (1907-1988) began her career as a photojournalist and fashion photographer about the time Frances Benjamin Johnston's was winding down. She demonstrated a versatility equal to Johnston's in her work as a staff photographer for Vogue, Harper's Bazaar, and Sports Illustrated and in her publication of several photographically illustrated books, ranging from A Child's Garden of Verses (1944) to The King Ranch, 1939-1944 (1975).
Frissell is perhaps best known for her pioneering fashion photography and her informal portraits of the famous and powerful in the United States and Europe, including Winston Churchill, Eleanor Roosevelt, and John F. and Jacqueline Kennedy. She is noted for taking fashion photography out of the studio into the outdoors, thus placing an accent on the active woman. She is also known for the imaginative angles, both physical and metaphorical, from which she covered her subjects.
The Toni Frissell Collection (340,000 items, ca. 1930-69) includes 270,000 black-and-white negatives, 42,000 color transparencies, and 25,000 enlargement prints, as well as proof sheets, not all of which have been processed for general use. Frissell's own selection of about 1,800 of her best and most representative photographs have been processed for use (LOT 12452) and provide a substantial representation of Frissell's chief interests:
* children
* fashion
* families
* leisure activities such as eating and drinking
* members of American and British upper classes
* well-known personalities
* sports
Other processed groups of images include a substantial portion of Frissell's documentation of World War II military and civilian activities, both in the United States and abroad. Frissell focused in particular on women's contributions during the war, including their Red Cross activities and a 1943 visit by Women's Auxiliary Army Corps (WAAC) director Oveta Culp Hobby to two WAAC facilities.
Frissell documented women from all walks of life and in all situations, sometimes using them to comment on the human condition. Thus, in the single year of 1957, her work ranged from her quiet portrayal of an elderly African American woman enjoying a barefoot moment fishing in the Tidal Basin in Washington, D.C. (LC-F9-02-5706-053-06), to an intimate portrait of actress Elizabeth Taylor with her husband Mike Todd and their infant daughter (LC-F9-52-5709-52A-26); and from a lyrical depiction of two nuns clamming on Long Island (LC-F9-04-5709-012-07) to a shot of a woman taking a “snooze” on the beach at Waikiki (LC-F9-04-5711-015-22).
Frissell's personal papers, which have not yet been prepared for general use, will be transferred to the Manusc ript Division when the entire photograph collection has been processed.
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